I finished up the lace work and I still have some of the 4th skein left over, pretty much as I predicted. I go back and forth on the transition rows/no transition rows question. For this particular colorway the first two skeins that I used blended quite well, but the next two have a more dramatic color change. The photograph emphasizes it, so it is more dramatic than it would be in real life. I have noticed that about photographs. When I am blocking a shawl I take a photo of it to see if I have it laid out symmetrically. I may not be able to see it when I look at it pinned out on the blocking mats, but it will jump out at me in a photograph. I keep thinking that there must be some mathematical progression that would make the transition smoother, more organic, but I just haven't had the energy to pursue it.
Project: Alita Dress by Adrienne Larsen from Knitter's Magazine 116, Fall 2014
Yarn: The Unique Sheep Luxe in Autumn for Ana
Needles: US 4 (3.5 mm)
Project: Alita Dress by Adrienne Larsen from Knitter's Magazine 116, Fall 2014
Yarn: The Unique Sheep Luxe in Autumn for Ana
Needles: US 4 (3.5 mm)
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